Owls, foxes and our new bunny …

by Helen on August 11, 2014

I’ve been very busy over the weekend working on the patterns for the September issue of the magazine, including my first Christmas pattern of the year (catch a glimpse of my penguin over on Instagram).  In September my thoughts begin to turn away from the beach inland towards the woods as the trees begin to shed the first of their leaves and mushrooms and toadstools peek up through the mossy ground. So I thought it would be fun to create a woodland-style tea cosy for the September issue and at first was considering an owl …..

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And put together a whole board of owls on Pinterest while I was looking.  There are so many lovely knitted owl tea cosies, but not many that are sewn.  I was nearly decided upon an owl, when I spotted a lovely illustration  …..

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From the very talented EvaJuliet’s shop on Etsy.   I did a little bit more searching and discovered that whilst there were lots of beautiful owl cosies, nobody seemed to have created a pattern for fox-lovers.   So yesterday afternoon while the Newfies were sleeping I did a little measuring and cutting, stitching and snipping and came up with ….

A sleepy fox tea cosy!  Perfect to keep my pot lovely and snug during the colder months.  The pattern for my sleepy fox cosy will be in the September issue of the Bustle & Sew Magazine.  Which will also have a bit of a makeover, including the new Bustle & Sew bunny on the cover for the first time……

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Isn’t she adorable!  Next month’s issue will also have some extra goodies inside with more to follow over the coming months!  This website is going to be given a new look in September too – with the updated Bustle & Sew bunny and a more modern (though still very cute!) style.  I do hope you’ll like it!

And finally … thank you so much to everyone who sent lovely emails and messages of support to Ben after his operation and sad experience with some very rude people.  Image4

He’s now fully recovered and allowed to go swimming again.  Here he is about to dive in - what could be a nicer start to the day? he thinks.

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September’s Projects …

by Helen on August 9, 2014

Just a quick peek ….

The first two projects for the September Magazine xx

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Ask the Bunny

by Helen on August 8, 2014

August is, I always think, the month when the seasons begin to change again.  On the one hand the summer holidays are still in full swing, the sun is warm and the drowsy buzzing of the honey bees that smother my lavender plants makes a delightful soundtrack to an afternoon spent stitching in the summer house.  But there are late summer sunflowers in my lovely mother-of-the-bride jug and the roses in my garden are long past their best.  The fields are golden and farmers are bringing in the harvest late into the night ….

And the Newfies (who have watched far too many nature programmes) are pretending to be lions of the Serengeti stalking through the long grass up at Woodleigh woods …

Though these are apple trees, not acacia, there are green Devon fields in the background, and blackberries ripening in the hedgerows …

Autumn is only just around the corner.  But September is also a time of new beginnings, and we are definitely going to enjoy our new family member through the autumn months.  Tilly visited us last week and was very surprised to see the size of her new “cousins” the newfies …..

Doesn’t she have ENORMOUS ears!  Hope she grows into them!  Daisy absolutely LOVED her, and has appointed herself Tilly’s new “mum”.  They made friends straight away, and it was so comical to watch Daisy following her around making sure Tilly didn’t come to any harm.

And there are new beginnings at Bustle & Sew too.  I think I’ve already mentioned that Rosie is joining me to help make the website even nicer and the Magazine even bigger and better.  We have been playing around with all sorts of ideas and thought it would be nice to have a questions and answers session called “Ask the Bunny” from time to time.  We’ll include some on the blog here, as well as longer answers in the magazine……

But before we can prepare our answers – we need some questions!! So if there’s anything you’d like to ask – whether it’s about sewing techniques, patterns, materials 0r perhaps life here in Devon, living with newfies, setting up your website, running your own crafty business or anything else then please do contact me with your question.  I can’t guarantee I’ll have an answer, but perhaps another reader will know …..

Just leave a comment below or email me to “Ask the Bunny” and next week I’ll be back with a question and answer post for you to enjoy.

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I’ve just finished uploading the patterns from the August issue of the Bustle & Sew Magazine to my store, including one of my favourite projects this month … a Jar for Buttons.

One of my favourite techniques that I’ve used in several designs this month, including this one, is raw edge applique.  I love it as it’s so easy to add pops of colour and pattern to mywork.  It’s also a great way to use up even the smallest fabric scraps as I hate throwing (nearly) anything away!   If you plan to make your own jar you’ll need to choose the fabrics you’re going to use.  I could tell you my exact choices, but as it’s unlikely you’ll have exactly the same fabrics in your stash, and because I use a lot of older, or even vintage fabrics that aren’t always readily available, I thought you might be interested in hearing how I select the fabrics I’m going to use for my applique projects.

Choose a medium weight non-stretchy fabric, cotton, linen or a cotton/linen blend is nicest.  I personally don’t like working with cotton-polyester mix fabric, to me it simply doesn’t feel right and I never achieve good results when trying to use it.  Natural fibres are, in my opinion, by far the nicest to work with and this shouldn’t limit your choice as there are so many lovely designs and collections around these days.   You’re going to do a lot of surface work on your fabric, so if it’s too lightweight then it will be difficult to keep it in shape, leading to possible puckering and distortion.     If you really absolutely have to use a lighter weight fabric, then consider interfacing to give it sufficient body to work with.

Your background fabric can either – obviously – be plain or patterned.  Whichever you choose remember that it is just that – a background.  It’s not the main feature, and you want it to showcase your applique work, not fight with it for attention or, perhaps even worse, blend too seamlessly with your applique fabrics so that they sink into the background and all your hard work goes unnoticed.  I find that as my applique designs are usually flowing, curved organic shapes, then geometric patterns in just a few colours often work well as the base fabric, providing a good contrast to the applique design.  The background pattern should as a general rule be on the same scale, or a little smaller as the applique – so don’t choose an enormous check pattern and position some tiny applique birds on top – it will just look silly.

You also need to take into account the colour of your background.  Look at it carefully and consider it together with the fabrics you’d like to use for your applique.  You may need to tweak your choices a little.  Consider if you’re going for a harmonious look – choosing colours and patterns of the same tonal strength as in my Jar for Buttons, or if you’d prefer more of a contrast – like Nelly the applique elephant (above) Either will work well, but each will give a totally different feeling to the finished piece of work.

I always begin with the background fabric as I find it’s more difficult to get right if I’ve decided not to use a light coloured neutral.  The fabrics for the actual applique shapes themselves are much easier as I have two large boxes of scraps in my workroom, dating back many years – and almost never throw any fabric away – even the smallest pieces can be useful, for example the baby owl’s chest is only ½” wide! Choose light or medium weight fabrics for the applique shapes for this project as you don’t want to add excess bulk or weight to the jar lid.    In general it’s best to avoid large scale bold prints, choose smaller scale prints that won’t draw the eye away from the shapes themselves.   For this project a quilting weight cotton is perfect as it is light enough to mount in the hoop without excess bulk, and is also strong enough to hold your applique work.

I like to use small stitches worked at right angles to the applique shapes to secure them to the background fabric and may choose either a contrasting or complementary colour floss.  In my True Beauty Peacock I used a complementary colour that worked well with all the different fabric scraps I used for the peacock’s feathers and kept to the same colour for the whole tail to bring the different fabrics together in a harmonious whole.  Using diferent colours would have given a “bitty” effect.  I also (unusually for me) used feather stitch to add an additional decorative element to the design.  There are a lot of vintage feedsack scraps in my peacock applique that I chose from a limited colour palette and small repetitive patterns that I feel work well together.

And finally … you don’t have to restrict raw edge applique to purely decorative items.  Most recently I’ve used the technique for my Woodland Alphabet Quilt.  A combination of securing the shapes with Bondaweb and then covering the edges with a closely-spaced zig-zag stitch worked in invisible thread means that although this quilt has already been washed several times it’s standing up well to the wear and tear imposed by an active baby boy!

 

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